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Because if I could go back, there are things I’d say like, “Don't do this,” “Work faster,” or something. I love that things happen the way they’re supposed to happen. I wouldn’t really want to change anything. I think I’ve been pretty smart with the choices I’ve made and the decisions I’ve made. Was there something you did at that age that you regret? But I didn’t even have to give myself that advice, because my 28-year-old self knew that already. If you could go back in time and talk to your 28-year-old self, what advice would you have? That’s respect among your peers, and my peers are pretty badass. How crazy is that? If I had a choice of winning and never being nominated again, I would totally choose not winning and being nominated 12 times because that’s longevity. You know what, I’m happy to be in the game. Like this year, I’m talking about another new one. I’m happy, and it’s a new song every year. I do appreciate that you’re honest about it.ĭo you ever get tired of talking about Oscar nominations? I love when some people go, “Oh, I don’t care. I mean, I stay up all night waiting for the nominations. So if they nominate me, I’ll jump up and down, absolutely. And if you look at the people that are in the music branch of the Academy, those are the best of the best of the best of the best of the best composers and songwriters that are living today. With the Oscars, there’s five and there’s a lot of songs released every year and lots of movies. Because it’s not easy to get nominated for an Oscar, unlike the Grammys where there are tons of song categories. Every time I’ve been nominated, I’ve been jumping up and down and happy and beyond thrilled. What’s interesting about the Oscar nominations is. How did it feel to finally have that happen? My first Oscar nomination was three years after that, which was in 1988.
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I never doubted that I’d be successful, but I never imagined this level. It’s, you know, that overnight success that takes forever. I recall that and kind of waiting for my first break really, you know?Ĭould you feel that it was coming? Like you were almost there? You know, I was probably a little frustrated because I didn’t have my first really big hit yet. How were you feeling about your life and career when you were 28? I wish they’d give an award for that.”īelow, Warren remembers how she felt earning her first Oscar nomination more than 30 years ago, and discusses the songs that have a special place in her heart. “I’m the most-nominated woman in any category in Oscar history to not have won,” Warren says. And despite her almost comical lack of a certain golden statue on her mantle, she sees her many nominations from her peers as a sign of longevity. 1 - on which artists like John Legend, Maren Morris, G-Eazy, Luis Fonsi, Lauren Jauregui, Jon Batiste, Rita Ora, Carlos Santana, Leona Lewis, and Pentatonix bring her lyrics to life.
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She also released her first full studio album - Diane Warren: The Cave Sessions Vol. Now 65, Warren is still hoping for that elusive Oscar.
“I wanted everybody to hear my songs all over the world.” A few years later, they would, when Warren got her first chart-topper with the 1987 Starship power ballad “Nothing’s Gonna Stop Us Now.” With global ubiquity also came awards: She won a Grammy in 1997 for Celine Dion’s “Because You Loved Me,” and an Emmy in 2016 for Lady Gaga’s “Til It Happens To You,” but the Oscar has continued to elude her - so much so that every year fans post “I hope you finally win”-style tweets and major publications write “Warren loses out again” headlines.ĭiane Warren and Clive Davis circa 1985. I wanted to have hit records,” Warren tells Bustle. Though songs she’d written were on the radio and had made the Billboard charts, she admits that none of her early career successes felt right or real. With 12 Academy Award nominations for Best Original Song spanning five decades, Warren has become an Oscar-season regular who’s written iconic songs like Aerosmith’s “I Don’t Want To Miss A Thing,” LeAnn Rimes’ “How Do I Live,” and Faith Hill’s “There You’ll Be.” Now, she’s vying for her 13th nod for Reba McEntire’s “Somehow You Do,” which she wrote for the film Four Good Days starring Glenn Close and Mila Kunis.īut Oscar contention was far from Warren’s mind in 1984, when she was a 28-year-old with a burgeoning songwriting career in Los Angeles. If you’ve watched Armageddon, Con Air, or Pearl Harbor, you’ve experienced Diane Warren’s songwriting prowess.